Growing up in Hong Kong, Fiona Hartley (not her real name) had to walk up a steep hill every morning. By the time this Eurasian teenager got to school, she would be sweaty and flushed, and her wiry brown hair would be a complete mess. She used to look in envy at the Chinese girls walking by in their freshly pressed uniforms and their glossy black hair. “They never seemed to sweat!” Hartley, now 24, laughs as she recalls those days. “No matter how hot or humid it was, they always looked serene and perfect-not even a hair out of place. I always wished I could look more like them.”
But ironically, ever since she can remember, Hartley had heard her Chinese counterparts saying the same thing about her. As a child, she was surrounded by cooing relatives and friends who would admire her more Caucasian features. “They would comment on how fair my skin was,” she remembers, “or say they wished the bridges of their noses were as high as mine.”
The legacy of colonial shame carried by previous generations of Eurasians has long since disappeared from the public imagination. Today, the adjectives associated with Eurasians are more likely to be “exotic,” “stunning,” and above all, “beautiful.”
Beauty has emerged as one of the most pervasive stereotypes about Eurasians. As early as 1921, British writer W. Somerset Maugham described Ethel, the half-caste protagonist of The Pool, as being “adorably pretty” and resembling “something not of this earth” but more like “the spirit of the pool.” This fascination with Eurasian beauty and exoticism continues today. Even in the forums of EurasianNation you can read numerous breathless accounts from males worshiping “hapa booty.”
“I grew up in Japan being told by virtually everyone (adult and children alike) that I was either beautiful or cute because I was ‘ha-fu,’” says Abbie Yamamoto, 23, now a graduate student at Berkeley University.
Eurasian beauty is often attributed to the European influence, particularly among Asians. “It’s because of the Caucasian features that they admire me so,” explains Yamamoto. “They look at me and tell me the clichés over and over again about how big my eyes are and how ‘high’ my nose is.”
Many Asians have even taken drastic measures to try to recreate these Caucasian features on their own faces. Blepharoplasty, the eyelid incision that creates the canthal fold, has become a veritable rite of passage for young females. Plastic surgeons say it is the most common procedure elected by Asian women in North America and Asia, followed by rhinoplasties (nose jobs) and breast augmentation. In the Philippines, a new plastic surgery technique has been invented to mimic the “high” Caucasian nose. According to Salon.com, surgeons insert a flexible plastic tube, called “the Cleopatra,” up women’s noses. The procedure can jack noses upwards anywhere from 3 to 13 millimeters.
Ironically, the Eurasian face, despite its obvious Caucasian ancestry, has become the face that sells Asia. TV commercials use Eurasian models to peddle everything from designer jewelry to sanitary pads. TIMEasia.com reports that in Indonesia, a magazine with a Eurasian on the cover will sell two or three times more copies than one featuring a purely local model. And on Channel V, the Asia-wide music television channel, almost every single VJ is Eurasian.
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